I didn’t much care for the version of Stockhausen’s Mantra that Xenia Pestova, Pascal Meyer and Jan Panis issued via Naxos in True enough, Mantra is a . As “Mantra” begins you immediately feel that this is much more than any kind of piano duo that you’ve heard before, and at this point I’m strictly speaking in terms . Stockhausen – Mantra – Download as PDF File .pdf), Text File .txt) or read online .
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He jotted the melody down on an envelope at that time, but it only occurred to him after having abandoned Vision that this might become the basis for his new two-piano composition.
The vocals of index 20, by Alfons and Aloys Kontarskyare also scored and required. I became very tired of the so-called Alea. According to the composer, the mantra “has thirteen notes, and each cymbal sound occurring once in the piece indicates the large sections—you hear the cymbal whenever a new central sound announces the next section of the work” Cott— This matches stofkhausen diagram above in red. One other technique to create a great variety of MANTRAs was that Stockhausen would sometimes enforce the rhythm of one phrase on another phrase, filling in any missing notes with repetition or grace notes.
Mantra (Stockhausen) – Wikipedia
It amazes me to ponder the fact that a microscopic element, an incorporeal sperm, is able to fertilize another human being, to generate a new complex being who contains a plentiful genetic inheritance. The genesis of this work came from a melody which surfaced spontaneously while traveling by car many years before, as well as from his interest in refining ring modulation techniques.
In fact, the entry sequence of the first set of 12 Expansion forms goes like this: It was composed in and premiered in autumn of the same year in Donaueschingen. The formula permeates at different speeds and rates; at the most subterranean level, the 13 stockgausen transform electronically, the arrival of each new note heralding a new section.
Composed init was the work that not only signalled his return to composing fully notated music after almost a decade in which ”intuitive” techniques, using graphic and verbal scores, became manta and more important, but it also introduced the use of a musical formula, the ”mantra” of the title, from stockhasuen every pitch and rhythmic element of the composition is derived by transformation.
Irregular Repetition Morse Code C At times the ring modulation controls are also manipulated to create vibrato and glissando effects.
The wooden percussive sounds stem from wood-blocks, scored too.
stockhauswn Probably this CD was issued before Stockhausen retrieved the formal rights to his recordings from other recording companies, though. This work involves the expansion and contraction of a counterpointed pair of melodieswhich the composer calls a “formula” Stockhausen3 and 6.
Slow Tremolo at Sforzando accent Gb Admittedly there are a tsockhausen tables in the analysis below, which at first don’t seem to add much to the listening experience. Final note accent from bar Behind him lay all those early responses to serialism — GruppenKontakteRefrain etc; ahead was Lichthis vast and wacky opera cycle, pinned around a network of melodic formulas, an idea about controlling musical material that had its roots in Mantra. Zeccola Only stcokhausen words of the Professor are reprinted here: Mantra is a composition by the German composer Karlheinz Stockhausen.
The Naxos version stoclhausen from a narrow bandwidth of dynamics; here the opening woodblock crack, with its accompanying brouhaha of piano turbulence, hits you between the eyes. This will all be fixed in a new printing later. So why study the math?
Stockhausen: Sounds in Space: MANTRA
MANTRA is completely composed down to the last tenth of second, though in a sense it is “intuitively-composed” as the product of one person’s intuitively-based musical deliberations at a much slower pace. The shots of light off of he surface of the sound even renders the music an impressionistic quality, however farfetched that notion may seem.
Depending on the intervallic distance of the other mantra pitches from the mirror pitch of the ring modulation, the modulated notes sound more or less dissonant, and have spectra unlike the piano minor seconds, minor stockhhausen and major sevenths produce the most dissonant modulator sounds, octaves and fifths the most consonant.
It was the way that Stockhausen would compose for the rest of his life, and his enormous opera cycle Licht would be based on it. Cymbal Events 1st 12 on left, remaining 13 on right, inverted. After that I have developed this idea matra further.
Stockhausen in the CD booklet: He had spent a few years with his intuitive music, where the concentration was focused a lot on the stockhausne process of the ensemble. Compositions by Karlheinz Stockhausen Portal: Each of the 13 notes of the mantra has an attached characteristic, or “pitch form” Cott; Stockhausen4 ; the 13 notes of the upper voice have in order the following characteristics:.
New Back in stock Browse all Recommended Upcoming. Staccatto Db The shrill sounds come from antique cymbals, prescribed in the score. There is an aura around each tone rising out of the doubled keyboards, and the aura flutters and bulges, breaking the waves of the sound into millions of little glistenings, in a magic luster diffusing out of the core tone, three-dimensionally.
Stockhausen: Mantra CD review – virtuosity and immediacy
mmantra In addition to its articulative characteristic, each of the thirteen notes is assigned a particular dynamic, in approximate inverse proportion to its duration—that is, the softer a note’s dynamic is, the longer is stocmhausen duration.
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The pitches are shown in the example to the right, and the complete formula can be seen at Nordin [n.
Skip to main content. Each artificial scale’s 12 notes take up more and more room on the keyboard become wideruntil the largest scale requires the entire keyboard to play just one artificial “octave”. Dorothy Ashby Dorothy Ashby.