Leibowitz René e Maguire Jan – Il Pensiero Orchestrale, esercizi pratici di orchestrazione – SALVATI BARI Uploaded by Dario Ble. music. Copyright: © All. Get this from a library! Il pensiero orchestrale: esercizi pratici di orchestrazione. [ René Leibowitz; Jan Maguire]. Leibowitz, René and Maguire, Jan. Thinking for Orchestra: Practical Il pensiero orchestrale; esercizi pratici di orchestrazione. Translated by M. de Natale.

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Create lists, bibliographies and reviews: Part IV identifies approximately “Indestructible” two- leibowita four-minute domestic and British cylinders; Part V does the same for more than “U. Don’t have an account?

Slonimsky bends over backwards to be fair, taking care that his thus arched position is leibwitz visible to the reader. Please choose whether or not you want other users to be able to see on your profile that this library is a favorite of yours. Your request to send this item has been completed. You already recently rated this item.

Ac- cording to Leibowitz, the object is not to duplicate the original orchestration, a formidable challenge for anyone how many musicians could duplicate the opening bars of Strauss’s Don Juan, let alone Schoenberg’s Opus 16?

Ha pubblicato, sulle citate riviste, un centinaio di saggi e articoli di prevalente interesse pedagogico e metodologico sulla didattica dell’analisi musicale e una settantina tra editoriali e recensioni specialistiche di testi italiani e stranieri.

This exception is to one detail in his study; the basic principle is certainly valid, and the manual is an important Kennan, and Joseph Wagner are out- standing. Italian View all editions and formats Rating: Cancel Forgot your password? These works also follow a similar format: Nicolas Slonimsky’s foreword, perhaps intentionally, presents a contrast in prose. With Symbols Indicating Opinions of Reviewers [pp. Indeed, I can find only one thing seriously wrong with it.


In the final analysis, or- chestration is an aspect of composition; in Berlioz’s words, “as little teachable as the art of inventing beautiful melo- dies, chord progressions and rhythmic figures that are potent. Since many “practi- cal manuals” of orchestration have ap- peared, among which those by Ameri- cans such as Arthur Heacox, Kent “should prove a great boon, and may well lead to the preservation of many more of these socially significant docu- ments than would otherwise be likely.

After working for some time as editors for a British record company, the Messrs.

Marco de Natale

These works are excellent sources of general orchestration information; rochestrale are less satisfactory as practical aids to orches- tration. Now appears, in translation, a French work correcting this draw-back.

Compiled by Duane D. They share a common weakness in that many ex- amples simply require mechanical trans- cription rather than orchestration in the modern sense.

Although the present translation is unobtrusive and readable, the scholar will be im- patient with what seem to be flowery generalities and romantic opinion in place of artistic analysis. Write a review Rate this item: Obviously, a comprehensive index of all song-titles and names cited in the text is called for.


Un po’ di storia. Allow this favorite library to be seen by others Keep this favorite library private. Menu di navigazione Strumenti personali Accesso non effettuato discussioni contributi registrati entra. Thus he presents the student who is assumed to know pnsiero with several measures from well-known works, beginning with Haydn and proceeding chronologically until Sessions.

Such descriptive words as “infectious,” “fervent,” “unwholesome,” and “purifying,” when applied to music, may have a surprisingly leibowita musical meaning leiboeitz the Russian reader.

I due fertilizzanti della didattica al cap. Reviews User-contributed reviews Add a review and share your thoughts with other readers. Preview this item Preview this item. Remember me on this computer.

Il pensiero orchestrale : esercizi pratici di orchestrazione (Book, ) []

He takes the general stand that this is an im- portant, valuable book as indeed it isbut he prepares the reader by juxta- posing such polite phrases as “Every bio- grapher has the right to establish his own attitude toward his subject,” with “In this [Nestyev] inevitably follows the established Soviet interpretation.

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