Language of Vision [Gyorgy Kepes] on *FREE* shipping on qualifying offers. Noted painter, designer, theoretician analyzes the effect of visual. Noted painter, designer, theoretician analyzes the effect of visual language on the structure of human consciousness, in particular how the elements of line and . LibraryThing Review. User Review – j-b-colson – LibraryThing. This is one of the fundamental works of modern design theory, emanating from the Bauhaus.

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Each volume contained more than pages of essays by some of the most prominent artists, designers, architects and scientists of the time.

Language of Vision – Gyorgy Kepes – Google Books

Auburn provide further information about the stones and their design by grandson Janos Stone. There he taught graphic artists such as Saul Bass. InKepes had been one of a number of people Moholy was another who were asked by the U. In the same period, he was also influenced by the socialist avant-garde poet and painter Lajos Kassakand began to search for means by which he could contribute to the alleviation of social injustice, especially as he later recalled “the inhumane conditions of the Hungarian peasantry.

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In part, the book was important because it predated three other influential texts on the same subject: This book includes work by the following artists [this list reads like a veritable whos-who of the modern movement]: InKepes accepted an invitation from the School of Architecture and Planning at MIT to initiate a program there in visual design, a division that later became the Center for Advanced Visual Studies c.


In he was elected into the National Academy of Design as an Associate member and became a full Academician in After emigrating to the U. His theories on visual perception and, particularly, his personal mentorship, had a profound influence on young MIT architecture, planning, and visual art students. InKepes had been one of a number of people Moholy was another who were languagee by the U.

While teaching at the Institute of Design or New Bauhaus from toKepes enlarged and refined his ideas about design theory, form in relation to function, and his own term the “education of vision. Inhe kepss Language of Visionan influential book about design and design education. There are no reviews yet.

György Kepes

Topics Artvisual languagephotographyphotogram lwnguage, PaintingsDrawings. From to he worked off and on with Moholy-Nagy and through him, first in Berlin and then in London, met Walter Gropius and the science writer J. He alluded to this experience in Language of Vision, when he talked about natural camouflage: By using this site, you agree to the Terms of Use and Privacy Policy.

Kepes asked Juliet to join him. The following year, when Moholy agreed to become the director of a new art school in Chicago which Moholy dubbed the New BauhausKepes was invited to join the faculty and to oof a curricular area in Light and Color.

In he wrote his landmark book Language of Vision. Retrieved from ” https: From Wikipedia, the free encyclopedia. In he was elected into the National Academy of Design as an Associate member and became a full Academician in Uploaded by nztrecker on March 26, Kepes gave up painting temporarily and turned instead to filmmaking.


Army to offer advice on military and civilian urban camouflagein the course of which he viewed Chicago from the air.

The New York Times. A fine copy in a very good dust jacket.

Wikiquote has quotations related to: Widely used for many years as a college textbook it had thirteen printings, in four languagesit began by acknowledging Kepes’ indebtedness to the Berlin-based Gestalt psychologists, and by asserting that “Visual communication is universal and international; it knows no limits of tongue, vocabulary, or grammar, and it can be perceived by the illiterate as well as by the literate…[The visual arts, as] the optimum forms of the language of vision, are, therefore, an invaluable educational medium” p.

The richness of the volumes is reflected in their titles: This page was last edited on 27 Decemberat This article includes a list of referencesbut its sources remain unclear because it has insufficient inline citations. It makes an extensive analysis of the structure and function of the graphic image in painting photography and advertising design.