1-+ 1 ~:haptr,ztroduction HEXATONICS llexatonic scales are six note scales. One way to create a hexatonic scale is to combine the notes of two. Many modern piano players use hexatonic voicings by stacking the triads to create a particular harmony. By Jerry Bergonzi Book & CD Item: ADV Sheet Music – £ – Hexatonic scales are six note scales. This book presents a practical method for the construction of hexatonic scales that are useful for.

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D7l19 B ‘ D G7 Ct. Thousands of pages of Jazz transcriptions! Your email address will not be published. These are the work books from Jazz Harmon In most ofthe following examples and etudes accidentals only apply to the note they are attached to. Natural 11 on a dominant chord is an avoid note but it sounds fine when used in passing.

B- jC-Try playing 8 notes of any hexatonic melody using the notes of the grid as starting note”.

Serious Resources for Serious Players View my complete profile. G-7 7 F-7 BP” Of course, improvising and using only one particular hexatonic sounds very onedimensional.


Hezatonics are easy to think of and combining them is an accessible task for the soloist.

Jerry Bergonzi Vol 7 – Hexatonics.pdf

For the minor 7th chords you may either use the hexatonics given on the previous page or play any “regular” scale. You guys requested these, so here they are: Triads are incredibly strong sounding melodic devices. On some of these chords we are allowing much leeway. Berklee Jazz Brrgonzi Jerry Bergonzi – Inside Improvisation Vol.

You simply will not believe the number of transcriptions contained in these Japanese compilations. Here are some great links to free sax solo transcriptions- Sax solos link Lucas Pickford’s transcriptions Charles McNeal’s tra Have each hexatonic be 1 bar,2 bars or 4 bars each. I fully hexatoonics Mr.

Bergonzi, Jerry – Hexatonics – melody instruments

Pianists often use Hexatonics by stacking triads hsxatonics create unusual chord voicings. Jerry Bergonzi – Vol 2 – Pentatonics Documents. Jerry Bergonzi vol 4 – Melodic-Rhythms Education.

On a minor 7th chord, the upper triad sounds the 9,: IT Ffq r ra B-jC Try playing 8 notes of any hexatonic melody using the notes of the grid as starting notes.


Hexatonics – melody instruments

What follows is a list of different melodies derived from this hexatonic scale. D triad over e triad.

In some instances you might want the more dissonant sound of minor 9ths. D triad over e triad can be written and played in any inversion, for example: The built on these two augmented triads heaxtonics a pattern of minor third, half step, minor third, half step, etc. Jerry’s book is more practical than Gary’s book. Jerry Bergonzi- Vol 2 – Pentatonics Documents.

Jerry Bergonzi Vol 5 – Thesaurus of Education. Like a blues scale, in the wrong hands this could be devastating! In other words, why start with Major a whole step up followed by minor a whole step above a Major triad? Additionally, bergomzi examples in this entry are specifically assembled with two separate, clearly-defined three-note elements in mind.

Jerry Bergonzi Vol 7 – Hexatonics Documents.