DONA FRANCISQUITA PDF

Where Tomás Bretón’s La Verbena de la Paloma, reissued by Naïve simultaneously with this disc (see page 84), represents the best of Spanish zarzuela’s. Members of the FIU Opera Theater perform Doña Francisquita, a classic of the. WASHINGTON — “Dona Francisquita” is charming and trivial — or, if you prefer, trivial but charming. It’s a fine example of why zarzuela, a folk.

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When he took the job, he extracted a promise from the board that he could franciqsuita one off-the-beaten-track piece of repertory each season. Please enable JavaScript in your browser to use the site fully. But at the francsquita Fernando and Francisquita are finally united and the zarzuela ends happily. La Beltrana reappears with her friend Irene, and orders the jealous Lorenzo to find her a carriage to take her to the Carnival. The fine singers are all experienced zarzuela performers, from Isabel Monar of Spain in the title role to Cecilia Diaz of Argentina as the fickle actress; from Mexican tenor Alfredo Portilla as Fernando who will be succeeded by Spanish tenor Santiago Calderon in all remaining performances to Emilio Sanchez as his best friend, Cardona, who has a wonderful scene in drag as a buxom man-hunter.

When Francisquita reappears Fernando puts his ruse into operation Escena: I walked out unable to recall a single melody. He tells Aurora that she no longer has any power over him, which at last piques her interest in him. But fona is too late, he franciisquita now francjsquita in love with Francisquita. It was, however, performed in French translation at Monte CarloBrussels and Vichy in and cona a major production at Washington National Opera in Against the long sunset of the second act, their slow-motion traversal of the stage becomes a haunting foreshadow of the penitential season to come.

If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information. With intermissions, the opera runs 3 hours and 10 minutes.

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Doña Francisquita

In other projects Wikimedia Commons. Fernando’s friend Cardona urges him toward Francisquita but Fernando is smitten with the actress Aurora. Don Mathias eventually realizes he is too old for Francisquita and gives his blessing to the young couple.

Stage director Emilio Sagi managed to keep the action moving around the pillars, but his finest touch was with the masked players of Mardi Gras who float in and out of the action.

It’s refreshing to see something on the opera stage besides yet another dreary “Traviata. Fending off several male admirers, he regrets thinking up francisqita an idiotic ploy to get close to the girls without attracting suspicion.

‘Dona Francisquita’ is laudable but slight

The two francisqquita finally go back into their house, and the cries of the street sellers are heard once again. But I also applaud the Washington Opera for presenting it in the face of conservative audience preferences.

Distant sounds of night revelry are heard as the night watchman does his rounds Preludio: Fernando’s passion for Francisquita starts to grow. Francisquita convinces her mother that Fernando really prefers older women, and flatters Francisca into accompanying her. At this point, each character’s actions and interior motives further diverge: When Francisquita tries to flirt with Fernando, he ignores her.

This in turn provokes Lorenzo to fight, but the older man easily defeats him and graciously defuses the situation Solo: Situated in Madrid in the mids, the curtain opens on carnival time.

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franxisquita All is resolved after a series of misunderstandings and machinations involving Cardona disguising himself as a woman; Aurora’s lover, Lorenzo Perez, challenging Fernando to a duel; and rumours that Fernando plans to marry Francisquita’s mother to the subsequent horror of Don Mathias. A frandisquita complication to this shifting imbroglio is introduced when Francisquita’s mother is led to believe that Fernando is after her rather than her daughter.

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Beyond a couple of extended arias and a wedding chorus, the music is less complex and extensive than that of a Rodgers and Hammerstein show. Francisquita is in love with francisuita and would-be poet, Fernando.

It was premiered at the Teatro Apolo, Madrid, on October 17, Gramophone’s expert reviews easier than ever before. Francisquita pretends to accept the elderly man’s advances, hoping to make Fernando jealous.

But not least, this is Madrid at carnival time: The highly chaperoned lives of bourgeois Spanish girls are giving way to freer behavior. He sings of being torn between the two women in a celebrated Romanza: Cardona appears disguised as a pretty woman. Views Read Edit View history.

The brief Preludio paints a vivid picture of the lively street scene. Cardona and Fernando hear the wedding party of their student friends franncisquita towards the church accompanied by a rondalla of bandurrias and guitars Coro: Act 1 – A plaza in mid-nineteenth century Madrid, on Carnival eve. Fernando resolves to make Francisquita believe he is in love with her in order to ignite the flame frsncisquita jealousy in Aurora. At francisqjita urging of Cardona, Fernando also makes advances to Francisquita hoping to make Aurora jealous.

The voice of the night watchman is heard once more, and Cardona begs Aurora to sing. She tells him to get lost, and takes out her fury on the hapless Lorenzo.

Vives Doña Francisquita

His friend Cardona takes him to task and suggests that he would be happier with her than Aurora. Aurora enrages Lorenzo by trying to push Fernando into dancing a Mazurca with her.

He has come not to court the mother, as both initially hope, but the daughter.

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