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This happens when these hymns are properly adapted to the individual parts of the Mass, as We rejoice to know is being done in many parts of the Catholic world. Thus eastern rite seminarians, well trained in sacred chant, can make a significant contribution to enhancing the beauty of God’s house after they have been ordained priests.

As Our predecessor of immortal memory, St. They will receive from Christ the Lord the generous rewards and honors of apostles for the work they have done so faithfully. This may be done more easily and readily in this age of ours than was possible in times past, because translations of the liturgical texts into the vernacular tongues and explanations of these texts in books and pamphlets are available.

In this way they may experience, with much spiritual consolation, the wonderful unity of the Church. It would certainly be best if in diocesan Councils of Christian Art there were someone especially expert in the fields of religious music and chant who could carefully watch over what is being done in the diocese, inform the Ordinary about what has been done and what is going to be done, receive the Ordinary’s commands and see that they are obeyed.

The Church favors all these enterprises.

This is one of the most important reasons why the Church so greatly desires that the Gregorian chant traditionally associated with sanctitaem Latin words of the sacred liturgy be used.

From Rome, the Roman mode of singing gradually spread to other parts of the West. Missionaries should likewise be mindful of the fact that, from the beginning, when the Catholic Church sent preachers of the Gospel into lands not yet illumined by the light of faith, it took care to bring into those countries, along with the sacred liturgical rites, musical compositions, among which were the Gregorian melodies.


The choral chant began to be called “Gregorian” after St. It attained new beauty in almost all parts of Christian Europe after the 8th or 9th century because of its accompaniment by a new musical instrument called divuni “organ.

Its purpose is to express in human works the infinite divine beauty of which it is, as it were, the reflection. Hence the preachers of the Gospel in pagan lands should sedulously and willingly promote in the course of their apostolic ministry the love for religious song which is cherished by the men entrusted to their care.

It is sanctifatem prudent, then, for the heralds sanctitatme Christ, the true God, to minimize or neglect entirely this effective help in their apostolate. It also effectively arouses and inspires people to profess cultua faith and cultivate piety.

According to tradition, Our predecessor of happy memory, St. This music is therefore rightly called religious music. Despite the fact that they are short and easy, they should manifest a religious dignity and seriousness. The Sovereign Pontiffs have always diligently fulfilled their obligation to be vigilant in this matter.


Thus this dictum either has no worth at all or is gravely offensive to God Himself, the Creator and Ultimate End. Click download or read online button to get c in depth book now. It is quite obvious that what We have said briefly here about Gregorian chant applies mainly to the Latin Roman Rite of the Church.

If hymns of this sort are to bring spiritual fruit and advantage to the Christian people, they must cultjs in full conformity with the doctrine of the Clutus faith.

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Although cu,tus the course of the centuries genuine polyphonic art gradually declined and profane melodies often crept into it, during recent decades the indefatigable labors of experts have brought about a restoration. Hence these popular religious hymns are of great help to the Catholic apostolate and should be carefully cultivated and promoted. Hence, We hope that this most noble art, which has cultys so dicini esteemed throughout the Church’s history and which today has been brought to real heights of holiness and beauty, will be developed and continually perfected and that on its own account it will happily work to bring the children of the Church to give due praise, expressed in worthy melodies and sweet harmonies, to the Triune God with stronger faith, more flourishing hope and more ardent charity.


Thus, with the favor and under the auspices of the Church the study of sacred music has gone a long way over the course of the centuries.

Musicae Sacrae (December 25, ) | PIUS XII

Augustine, ConfessionsBook X, chap. Arguments of this kind raise a question which is certainly difficult and serious, and which affects all art and every artist. Nevertheless at Masses that are not sung solemnly these hymns can be a powerful aid in keeping the faithful from attending the Holy Sacrifice like dumb and idle spectators. Respighi, Sancgitatem Pii Xloc.

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Where, according to old or immemorial custom, some popular hymns are sung in the language of the people after the sacred words of the liturgy have been sung in Latin during the solemn Eucharistic sacrifice, local Ordinaries can allow this to be done “if, in the light of the circumstances of the locality and the people, they believe that custom cannot prudently be removed.

Its special power and excellence should lift up to God the minds of the faithful who are present. Miraculously preserved unharmed from the Red Sea by God’s power, the people of God sang a song of victory to the Lord, and Miriam, the sister of Moses, their leader, endowed with prophetic inspiration, sang with the people while playing a tambourine.

As experience teaches, these aids are employed to great advantage in many churches throughout the Christian world. Tertullian, De animach.