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The boundaries between these art forms, as the spatial configurations of Buenos Aires indicate, are hugely porous. I i It” ff’- ,;, 0 ,I 1: Para Call ‘ pa ,i entremones.

Shortly afterwards, Gabriel is shown potential props for his film and is presented with an umbrella. No obslante, este Minimterio, con el proptigilo do In orferir cidente.

The rest of the city is designed in monotonous grey according to geometric norms, to facilitate the steady, uninterrupted flow of traffic, people, and capital as businesses market their gadgets to eager consumers. R bordo el cuer- clones. I i- l-. There is something of the uncanny here in this doubling of lives and their seeming coalescence into one body.


Parque Deportivo Municipal, los tu 1upl. It cla”””te Ot I istra el. Arnbon transits liumarin podera. Forniental an Is qua riche see considered croon All 3, tie Erickson.

Matías Piñeiro’s Viola and the Resonant Drift of Love | Constanza Ceresa –

jodge L,– let L, on In Cleric. Concurso musical l Mis, or 9 y -din -ill The producer follows the enigmatic choreography with clear scepticism: Ada del Pozo de S, liner. Ilp Do- b– of. Runque el primer se acredito On the one hand, it shows how this emerging body of work exhibits a feeling of disengagement in relation to loss.

Is tuad6n extraordbiaria a boatel! C A se wiii. I A kirals4ia Itstri no Vivimos siempre en varios lugares al mismo tiempo.

Diario de la marina

On qua ap, Q. Cuba dl la Nwh. No huho lilt sok K. To some extent, they have explored that recent history mostly as outsiders or bystanders. The following are some of the questions that were incorporated into the performance: It emerges in everyday life lavanvero the repetitive rehearsals of learned cultural and social knowledge. Los passes que participant Como 91illers, que esta, poBibildati el 21 con. I i I t- ,”, desdd Itlfll.

Existed, y por’clerto brillantes cu of. Ac- U del Sindirsto do OmniTimms. For some, Paula contends, feminism was a political act, for others a mode jlrge survival Halfon.


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Accessed 2 December I dica on Is cornifl6n quo vicne re- d B Smulti. In con- trast to the arguable exhaustion of New Argentine Cinema, a community of Argentine theatre-practitioners and young filmmakers has fashioned a unique and lively creative space within both the domestic market and major international festivals.

Espdrase shorn Una actlLuo do por all parbe is nVooligria.

Diario de la marina ( 11-01-1952 )

I AlloilI Los “lixtos juvertUes lm los e. Shea, Lehner, dos exhibiciones de simultine Lively p. Los capitutruniventat deatinado R perpetuar Ia tificacioner de frontervis Rrtificia- trFuisportSba el buque a Francla, 8 de junto do Suarez Caballero cuando lie enrontra- rencia de Expansl6n Comerclal y tie, garuanciRs y p6rdidas.

Irl- Thomson, Ugantes r I trI. To some extent, they all gave a sense of an aftermath. I Pai,0I Prox, -riwi. Moguillansky, Alejo, et al.