This international ensemble of crack musicians reveals the next generation’s star soloists; led by violinist Markus Däunert (leader of the Mahler Chamber. The BBC work page for Serenade for tenor, horn and strings. Benjamin Britten. Serenade, for tenor, horn & strings, Op. Composition Information ↓; Description ↓; Parts/Movements ↓; Appears On ↓. Share on.

Author: Dujas Dusida
Country: Solomon Islands
Language: English (Spanish)
Genre: Software
Published (Last): 22 February 2009
Pages: 314
PDF File Size: 1.90 Mb
ePub File Size: 6.14 Mb
ISBN: 552-3-47419-150-7
Downloads: 66620
Price: Free* [*Free Regsitration Required]
Uploader: Tojakus

Its extended horn preface and postlude are dominated by descending half-step intervals, eerily so at the end — symbolizing “the sense of sin” that had its origin, for Brittenin boarding and public schools that he both dreaded and despised. Benjamin Britten’s music of the early s was dominated by Peter Grimes, but there were other substantial pieces from this period too.

Building a Library – Britten: Song cycles by Benjamin Britten Compositions for horn Serenades compositions Compositions for string orchestra Classical song cycles in English. Notify me of new comments via email. Masterpieces for Horn and Strings. Post was not sent – check your email addresses! I trust you will forgive this unashamed plug for my book.

Introspection Late Night Partying. Britten began his Segenade under the working title of Nocturnes. The horn plays unaccompanied on natural rather than tempered harmonics at the beginning and the end, onstage in the Prologue.


Romantic Evening Sex All Themes.

Serenade for Tenor, Horn and Strings – Wikipedia

Hesperus entreats thy light, Goddess excellently bright. The whole sequence forms an Elegy or Nocturnal, as Donne would have called it. The prologue and epilogue which frame the songs are both performed by the horn alone, and in these movements Britten instructs the player to use only the horn’s natural harmonics ; this lends these short movements a distinctive character, as some harmonics sound sharp or flat to an audience fog to the western chromatic scale.

And snowy summits old in story: The shadows now so long do grow, That brambles like tall cedars show; Mole hills seem mountains, and the ant Appears a monstrous elephant.

A Celebration of Benjamin Britten. Views Read Edit View history. Serenade for tenor, horn, strings. But Robert Tear provides a interpretation with the Chicago Symphony under Giulini that combines Pears’s close attention to every morsel of the text with a firmer, more even tone.

Serenade, for tenor, horn & strings, Op. 31

Composed during World War II at the request of the horn player Dennis Brain, it is a setting of a selection of six poems by British poets on the subject of night, including both its calm and its sinister aspects. Fill in your details below or click an icon to tennor in: Now the sun is laid to sleep, Seated in thy silver chair, State in wonted manner keep: Serrnade Complete Orchestral Song Cycles. And now on benches all are sat, In the cool air to sit and chat, Till Phoebus, dipping hhorn the west.


In the Pastoral, the first song, in D flat, Charles Cotton ‘s seventeenth century words “could be a description of a Constable landscape It may not have been reviewed by professional editors and is licensed under an Attribution-ShareAlike Creative Commons License.

Britten: Serenade for Tenor, Horn and Strings

Serenade Hilary Finch provides a personal recommendation from the available recordings of Britten’s Serenade for tenor, horn and strings. Les Illuminations; Serenade; Nocturne. Share on facebook twitter tumblr.

Blow, bugle, blow, set the wild echoes flying. And his dark secret love. Prelude and Fugue, Op. Benjamin Britten Collector’s Edition.

Quintet for piano and wind in E flat major Op. On his way back from America inBritten began two choral works, Hymn to Saint Cecilia and A Ceremony of Carols, that were premiered the same year.

Assembled on this playlist are no fewer than eight versions of the Serenade, which include all three mentioned above by Peter Pears.