CDGIM – Palestrina: Missa Assumpta est Maria & Missa Sicut lilium. CDGIM Digital booklet (PDF) · Giovanni Pierluigi da Palestrina (/ ). Giovanni Pierluigi da Palestrina (/) The Missa Assumpta est Maria, based on his own motet of that name which in turn is based on a short phrase. Peter Phillips directs The Tallis Scholars in two masses by Palestrina. This album won the Gramophone Early Music Award in

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Hyperion offers both CDs, and downloads in a number of formats. February Total duration: The brighter sound this high-scored six-voice SSATTB choir produces is then emphasized in the style of the writing, which is more chordal than usual. The first of three volumes featuring The Tallis Scholars’ finest recordings, one for each decade, and each offering over five hours of the award-winning performances that helped establish Renaissance Polyphony as one of the great repertoires of we It is interesting to follow the historical process by which a work like the Missa Assumpta est Maria becomes so much more famous than any other comparable work of the period.

Assumpta est Maria a 6 (Giovanni Pierluigi da Palestrina) – ChoralWiki

Similarly in the first Kyrie of the Mass Palestrina states the point twice, while cleverly abbreviating the entries, and all the other movements except the Gloria start with imitation of some kind, even the Credo. Update Required To play the media you will palestrinna to either update your browser to a recent version or update your Flash plugin. On the other hand, The Tallis Scholars had to rely on their own editions for recording the Masses Sicut liliumNigra sumBenedicta es and Nasce la gioja mia.

There have been fourteen different editions of Papae Marcelli since the middle of the nineteenth century and eight of Assumpta est Maria of which the first was prepared by Carl Proske in February Total duration: Midi files one for paleetrina part zipped. Views Read View source View history. Two-part motet, the model for the parody mass of the same name External websites: Indeed such pieces as the Missa Assumpta est Maria have regularly been performed in recent years in Protestant services where the kind of syllabic setting shown, for example, at the beginning of the Gloria is in line with one of the founding principles of all the reformed religions.


In the motet the opening point is treated to two complete expositions in leisurely style, and the remaining music is scarcely less elaborately laid out. These features inevitably transfer themselves to the parody Mass, most obviously in the Gloria and Credo, but also in the palestrinna movements where greater elaboration was assum;ta.

Antonio Melis submitted Matia Lassus took part in performances of the pieces contained in it, though his sacred compositions scarcely reflect the elegiac mood of Sicut lilium and in general he seems to have learnt little of importance from Palestrina. Seit der Mitte des Transposed down a note. Although Palestrina is much less well known in this mood, he wrote a large number of pieces which are akin to Sicut liliumof which the Missa Assumptq sum is perhaps the most accessible, though many of his madrigals provide excellent examples of the same thing.

Assumpta est Maria a 5 (Giovanni Pierluigi da Palestrina)

Beethoven and Mozart are possible rivals in this, but with them the process hasn’t been going on for so long. Web page content is available under the CPDL copyright license ; please see individual editions for their copyright terms. The Mass based on it did not appear until the Fifth Book of —which was about half-way through his Mass publications—but there is every reason to think it a quite early work.


The site is also available in several languages. Two-part motet, the model for the parody mass of the same name. Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.

Latin text Gaudete et exsultate omnes recti corde. Jahrhunderts erschienen von ihr 14 verschiedene Editionen und acht der Assumpta est Maria von denen die erste von Carl Proske besorgt wurde.

Assumpta est Maria a 6 (Giovanni Pierluigi da Palestrina)

Preme sottolineare, poi, che The Tallis Scholars hanno preferito affidarsi ad edizioni appositamente preparate per loro delle messe Sicut liliumNigra sumBenedicta es e Nasce la gioja mia. The Tallis Scholars have sung his music more th The site is also available in several languages. Giovanni Pierluigi da Palestrina Number of voices: Original text and translations may be found at Assumpta est Maria and Quae est ista quae progreditur.


Assumpta est Maria a 6 Composer: It is not essentially that it is a better piece of music than all the other contenders. Peter Phillips directs The Tallis Scholars in the historic concert celebrating Palestrina’s th anniversary, filmed in the Roman Basilica of Santa Maria Maggiore where the composer sang as a choirboy and later became maestro di c English translation Let all rejoice and be glad with righteous heart, for today the Virgin Mary reigns with Christ for evermore.

It is a feature of modern music-making that professional concert-choirs do not necessarily choose the same repertoire as that of church choirs, even though they make their selection from the same composers. Hyperion offers both CDs, and downloads in a number of oalestrina. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.

It also seems to help a piece if there is an attractive story to go with it, and the Missa Papae Marcelli has undoubtedly benefited from this. This late-Renaissance method is then transferred to the Mass, most obviously in the Gloria and Credo but also in the first Kyrie, where greater elaboration was more customary.

Das erste Kyrie beispielsweise beginnt mit Imitation in allen Stimmen, doch sehr schnell werden daraus alternierende harmonisch bestimmte Phrasen, die ihre Wirkung durch Umschichtung der Stimmen erzielen. Don’t show me this message again. The musical style is noticeably lucid, and although it is not as protracted as some of his very first settings, like Benedicta es caelorumin which he was still clearly learning his trade, there is some exhaustive working of the basic musical material.

Missa Assumpta est Maria composer. Giovanni Pierluigi da Palestrina. Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

By contrast, Sicut lilium presents a quite different side of his thought: The Tallis ScholarsPeter Phillips conductor. Gaudete et exsultate omnes recti corde.