I didn’t much care for the version of Stockhausen’s Mantra that Xenia Pestova, Pascal Meyer and Jan Panis issued via Naxos in True enough, Mantra is a . As “Mantra” begins you immediately feel that this is much more than any kind of piano duo that you’ve heard before, and at this point I’m strictly speaking in terms . Stockhausen – Mantra – Download as PDF File .pdf), Text File .txt) or read online .
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This effect can cause timbral “roughness”, distortion, or even transpose the pitch itself or all 3.
Mantraa Navigation 0 items. The formula in the compositional act is a sum of different elements; mental, trans-mental, psychological, intelligent, intuitive, rational, irrational and so forth. A mantra is, of course, a mystic formula handed down to a disciple from a guru, for the disciple to repeat and meditate on, and keep to himself. Randomness had become more important than the work as such. Each cycle is dominated by its corresponding note and characteristic.
These are also, however, scored! At certain instances it seems that some kind of metallic percussion is utilized.
Stockhausen: Mantra CD review – virtuosity and immediacy
The ring modulations twist and bend the sustaining chords at bar Views Read Edit View history. Whether you want to see what we think of stockhauwen latest releases or discover what our critics thought of your favourite recordings from the past, you will find it all in our full-searchable Reviews Database. Newer Post Older Post Home. Ravi Shankar Three Ragas.
The vocals of index 20, by Alfons and Aloys Kontarskyare also scored and required. The top staff has circled numbers, 1 through 13, which label the parts of the formula and their special properties the pink numbers are duration measurements.
In this particular work the first of a long succession of compositions to use formula techniqueStockhausen chose the term ” mantra ” in order “to avoid the words themerow or subjectas in a fugue” Stockhausen2and “Mantra” also became syockhausen title of the entire work.
In this way, a single statement of the mantra is spread over the length of the entire composition, though the durations of the mantra notes are not mantda into this overall plan Conen It consists of a microphone amplifier with three microphone inputs, a compressor, a filter, a ring modulator, a scaled sine-wave generator, and a volume control. In other words, this ca.
By means of this device, each piano’s sounds are ring modulated with a sine tone tuned to the central pitch corresponding to the note of the mantra formula governing each of the thirteen large segments of the composition, and the modulated sound is played over loudspeakers placed behind and above the performers. Dorothy Ashby Dorothy Ashby. From Mantrq, the free encyclopedia. And this trio succeed precisely where that overly bureaucratic Naxos version falls down. The “mantra” melody formula is made of an upper and lower voice; it is divided temporally into 4 segments with rests of 3, 2, 1, and 4 crotchets’ duration following the segments.
Depending on the intervallic distance of the other mantra pitches from the mirror pitch of the ring modulation, the modulated notes sound more or less dissonant, and stockhusen spectra unlike the piano minor seconds, minor ninths and major sevenths produce the most dissonant modulator sounds, octaves and fifths the most consonant. After that I have developed this idea much further.
Mantra (Stockhausen) – Wikipedia
This thirteen-tone formula is the mantra. Admittedly there are a few tables in the analysis below, which at first don’t seem to add much to sfockhausen listening experience. Musical Behavior From Bar Beginning root note 1. In his catalogue of works, the composer designated it as work number I know Stockhausen-Verlag has plans to obtain the rights, to offer it together with the Kontarsky brothers’ CD, and I hope Stockhausen will succeed in maantra.
Near the end of the composition there is an extremely fast section that is a compression of the entire work into the smallest temporal space; in this section, all of the expansions and transpositions of the mantra formula are summarized as fast as possible and in four layers Stockhausen Maestro Ring Modulator RM It was composed in and premiered in autumn of the same year in Donaueschingen.
One of the main reasons I find analysis of a huge piece like this to be useful is to identify “signposts” so that the listener can digest such a huge repast in platefuls, rather than as a huge buffet stretching off into the horizon. One other technique to create a great variety of MANTRAs was that Stockhausen would sometimes enforce the rhythm of one phrase on another phrase, filling in any missing notes with repetition or grace notes.
The fast event before the end of the piece which triggered my vision above with the wintry scene of moving people seen through an aquarium in Helsinki is a compression of the whole work into a short duration, where all the expansions and transpositions are collected and displayed very fast in four layers.
New Back in stock Browse all Recommended Upcoming. Each of the 13 notes of the mantra has an attached characteristic, or “pitch form” Cott; Stockhausen4 ; the 13 notes of the upper voice have in order the following characteristics:. Roman numerals in column 3 indicate which pianist plays the cymbals.
Final note accent from bar The shrill sounds come from antique cymbals, prescribed in the score. The work is scored for two ring-modulated pianos ; each player is also equipped with a chromatic set of crotales antique cymbals and a wood blockand one player is equipped with a short-wave radio producing morse code or a magnetic tape recording of morse code.
The formula, therefore, is an integration of all these elements, constituting a cultural inheritance, prepared and produced by cultures, divergent between themselves, since the dawn of time. Clone Spring – Electronix favorites.